Not post anything only pre

From an email to a friend – (with some additions)

I think that we are not “post” anything, only “pre” what is coming down the pike.  I think that “post” implies that whatever we are past, what tools, logics, and aesthetics we explored in the past are over and no longer relevant. But love stories are not gone. Dances about the human condition are still being made. They are not being created with Graham technique, but with release, CI influenced deconstructed ballet choreography. So why if the logic(topic) of the piece is basically the same, but the tool used is post – or contemporary we do not call the piece modern? What criteria are we using to define work – the tools used, the logic expressed, or the aesthetic used?

Every age, -ism, and ide[a]logy that is created doesn’t die out but becomes part of the available pallate(sp?) palette, incorporated in to what people have and can use, expanding the reified world.

We all get hung up in the details as opposed to viewing the relationships among the details.  Heidegger, after all, said that existence is defined by relationship to.

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Gender in Dance

It has been said many times.

“oh, it’s a man dance.”

2 guys on stage, it’s a man dance. Why, when the dance consists of all women (and 99% of dances made consist of all women), we do not say “Oh, it’s a woman dance”?

Well, precisely because 99% of dances made consist of all women. Therefore a dance, by default, is a woman dance. So when a dance has all men or even a slight majority of men, it becomes a “man dance”.

Heard this just the other day. In a group of what I thought were contemporary post whatever artists. But I guess not. They are still stuck on gender, on viewing a dance through the lens of gender. Dancers aren’t bodies, creating shapes in space/time in relation to other, but men and women creating shapes in space/time. Have we not progressed beyond Martha Graham?

Or have the tools just changed but the story is still the same?

PS

Graham = Bausch = Stuart